The musicians and the songs were later also featured in a documentary film of the same name. The music featured on the album was inspired by the Buena Vista Social Club, a membership club that was at its height during the 1940s. Many of the musicians performing on the record were either former. Tom Cruise taught massage, all new version of the cinematic world with nabighaniKultura legendamane civilization,My mother. Were safely hidden in the tomb of the ancient deeply wilderness for a daughter (Sofia Boutella.

(Buena Vista Social Club) Eliades Ochoa - Estoy Como Nunca (2002) Eliades Ochoa appears strolling down the rusted train tracks in his featured segment in Wim Wender's documentary Buena Vista Social Club. While the other musicians are featured in their houses or on Havana's colorful, crumbling, crowded streets, Ochoa rambles alone, in the industrial outskirts where the sugar cane harvest rolls into the capital -- where the work of the countryside laborer meets the industrial center. Cloud System Booster Serial Processor. With his guitar high on his chest and his cowboy hat, Ochoa does not evoke the jazz-age charm of his older bandmates; he's a border musician, a guajiro -- a country boy whose music took him from passing the hat in his native Santiago to the heights of international superstardom. Ochoa is often called the Cuban Johnny Cash, and not only because he wears a black suit. His voice isn't the velvet and smoke of his Buena Vista Social Club costars Ibraim Ferrer and Compay Segundo. His range is so versatile that he can hit both high and low registers, with the same kind of rumble, menace, and high-pitched plaint that make Cash the working man's bard. With this latest record, Ochoa is, as the title suggests, Better Than Ever.

Ochoa was not particularly the star of Buena Vista Social Club -- not as old as ninety-ish Compay Segundo nor as romantically overlooked as Ruben Gonzalez or Ibrahim Ferrer, he has the advantage of not having to live up to his onscreen mythology. Ochoa is a rare thing in the surprisingly diverse Cuban folk music scene: a traditionalist rather than a relic; a subtle innovator rather than a twenty-first century update. Continues here.With Estoy Como Nunca, Ochoa has proved that staying close to home -- taking the time to really know it -- takes you farther than the most ambitious of border-crossings. --by Margaret Schwartz ESTOY COMO NUNCA was nominated for the 2003 Latin Grammy Award for Best Traditional Tropical Album.